Shroud, by Adrian Tchaikovsky

Jun. 20th, 2025 10:18 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


While on a commercial expedition, an unexpected accident causes Mai, an engineer, and Juna, an HR person, to crash-land on a pitch-black planet called Shroud. They can't get out of their escape pod because the air is corrosive and unbreathable, and they can't call for help. Their only hope is to use the pod's walker system to trek all the way across the planet... which turns out to be absolutely teeming with extremely weird life, none of which can see, all of which communicates via electromagnetic signals, most of which constructs exoskeletons for itself with organic materials, and some of which is extremely large.

As readers, we learn very early on that at least some of the life on Shroud is intelligent. But Juna and Mai don't know that, the intelligent Shroud beings don't know that humans are intelligent, and human and Shroud life is so different that it makes perfect sense that they can't tell. As Juna and Mai make their probably-doomed expedition across Shroud, they're accompanied by curious Shroud beings, frequently attacked by other Shroud creatures, face some of the most daunting terrain imaginable, and slowly begin to learn the truth about Shroud. But even if they succeed in rescuing themselves, the predatory capitalist company that sent them on their expedition on the first place is determined to strip Shroud for materials, and doesn't care if its indigenous life is intelligent or not.

This is possibly the best first contact novel I've ever read. It's the flip side of Alien Clay, which was 70% depressing capitalist dystopia and 30% cool aliens. Shroud is 10% depressing capitalist dystopia and 90% cool aliens - or rather, 90% cool aliens and humans interacting with cool aliens. It's a marvelous alien travelogue, it has so many jaw-dropping moments, and it's very thematically unified and neatly plotted. The climax is absolutely killer.

The characterization is sketchy but sufficient. The ending is a little abrupt, but you can easily extrapolate what happens from there, and it's VERY satisfying. As far as I know this is a standalone, but I would certainly enjoy a sequel if Tchaikovsky decided to write one.

My absolute favorite moment, which was something you can only do in science fiction, is a great big spoiler. Read more... )

I'm back.

Jun. 19th, 2025 01:13 pm
sartorias: (Default)
[personal profile] sartorias
Please forgive mush-mindedness; I'm three days out of the hospital and it's taking time for the simplest thoughts to come back on line.

Scintillation was wonderful, as always. And so was Fourth Street Fantasy Convention--what little I saw of it. No fault whatsoever to the con. All fault is due to the trash human in front of me in a very crowded assisted seating area, who coughed and hacked for the entire eight hour ride, refusing to put on a mask. "It's not a rule! And masks are all political anyway!"

By the next night I had a high temp, joints with ice picks stabbing them, skin like the worst sunburn ever. So I missed a lot, but managed to get to some programming including my panels. And I almost made it, tho by then I hadn't eaten for four days, and drunk only sips of water, which tasted terrible, like rusty pipes.

I was moderating my last panel, and I thought it was going okay when we opened to Qs from the audience and I realized that everyone was curiously black-and-white, then the next thing I knew, I was lying on the ground, surrounded by voices.

Here's where perceptions get kind of surreal. I slowly became aware that someone was stroking my arm. I've always known that Marissa L has an infinite capacity for genuine empathy, but I understood it was real. That empathy convey through the slow, reassuring touch, even though when she murmured "non-responsive."

Oh dear. I was not doing my bit! Worse, I'd totally spoiled the panel, yet here I was having somehow floated gently to the ground. I had to get up! Return to my room. Rest! Apologize to everyone for my dumbass move! Yet it felt so much better to lie there, and let trusted voices do whatever they were doing. So reassuring.

I knew those voices. I trusted them. Marissa, who seemed genuinely pleased that I was responsive after all, but she kept up her reassuring touch. (I do know the difference. I've had to drop my head between my knees a few times at distressing moments, and this one specific time, a person I'd known since college kept pawing me, the angle changing in the direction of their voice, as if they were busy looking around the room)

Then E Bear asked for my phone code, and I knew that voice, it's Bear, of course she must need my phone. I trust Bear. Then came the questions as I began to rouse a bit. Scott L, long-serving firefighter and fully trained EMP started what my spouse (who was a volunteer fireman for 20 years, and worked alongside EMTs) called the litany. Scott's strong, clear voice foghorned something much like, "Sherwood, I hate to do this to you, but what asshole is currently infesting the White House?"

And I laughed. I don't know if the laughter got past my lips, but it's strange how humor--laughter--can rouse one. I muttered, "Yesterday was NO KINGS DAY."

Then it seemed they wanted to send me off to emergency services; there was talk, then a fourth trusted voice, belonging to Beth F, insisted that it was not a good idea to be sending me off without anyone knowing where. She informed the company that she was a Registered Nurse and this was SOP, or the like. Beth's on the team, I thought.

Shortly thereafter they got my wreck of a bod onto the conveyance and I was in for an ambulance ride. It was beautiful teamwork--cons these days have security teams, and here I was proof that their protocols were functioning swiftly and smoothly, which would permit them to pivot straight back to con stuff.

While I was in for a wad of tests. So many tests. I soon had two IVS going, one in each elbow.

Presently the doc came in and said that I had an acute case of influenza, compounded by severe dehydration. Beth F heroically came to spring me, and saw me to my room, promising me a backup call the following morning.

Another perceptual eddy: I thought, wrongly, I'd wafted quietly and softly to the floor. Maybe even discreetly. Ha Ha. When I stripped out of my influenza clothes I discovered gigantic bruises in weird places--the entire top of one foot is discolored, another baseball-sized bruise on one calf, and so one. I began to suspect that I had catapulted myself whammo-flat with all the grace of a stevedore hauling a sack of spuds.

The following days I slept and slept, forcing a few bites of salad and oatmeal. I have zero stamina, must work on that, but at least I am home, and I guess all that unwanted experience can sink into the subconscious quagmire.

Things Coming Out Next

Jun. 16th, 2025 01:49 pm
marthawells: (Witch King)
[personal profile] marthawells
Storyteller: A Tanith Lee Tribute Anthology

Out in ebook and paperback on July 1. My story is "Data Ghost"

https://bookshop.org/p/books/storyteller-a-tanith-lee-tribute-anthology/a74b320486117220?ean=9798992595406&next=t

https://www.kobo.com/us/en/ebook/storyteller-a-tanith-lee-tribute-anthology?sId=e0bafab6-32a8-4ffb-9436-2dcda473349c

Edited by Julie C. Day, Carina Bissett, and Craig Laurance Gidney. Stories by Martha Wells, Andy Duncan, C.S.E. Cooney, Nisi Shawl, Mike Allen, Alaya Dawn Johnson, CL Hellisen, Maya Deane, Rocío Rincón Fernández, Theodora Goss, Getty Hesse, Starlene Justice, Amelia Mangan, Michael Yuya Montroy, Marisca Pichette, KT Wagner.

Sixteen new stories from some of today's most renowned authors. All inspired by the master storyteller Tanith Lee.

Drowning cities and unicorns. Burning deserts and forgotten gods. Golems, elf warriors, and inner-Earthers. Alien lifeforms and museum workers. Ancient plagues and the future of humanity. The familiar and the fantastical. Each story in this anthology is both unique and compelling: from fairy-tale retellings to romance-tinged high fantasy, from nihilistic horror to gripping science fiction. Immersive, wide-ranging, and sublime, Storyteller features worlds and characters that are sure to travel with you long after the last page has been read.



***


Short Story: "Rapport: Friendship, Solidarity, Communion, Empathy" by Martha Wells

will be available on Reactor Magazine on July 10

Illustrated by Jaime Jones
Edited by Lee Harris

Perihelion and its crew embark on a dangerous new mission at a corporate-controlled station in the throes of a hostile takeover...


***


Summer of Science Fiction & Fantasy: Martha Wells in conversation with Kate Elliott

https://www.clarionwest.org/event/summer-of-science-fiction-fantasy-martha-wells-in-conversation-with-kate-elliott/


July 30 @ 6:00 pm – 7:30 pm PDT

The Clarion West Summer Reading Series will be held virtually and streamed live over Zoom during the Six-Week Workshop.

Join us for our final event, a conversation between Martha Wells and Kate Elliott!

This event will begin with a conversation between Martha and Kate. There will be time to take questions from the audience. Participants will be able to submit questions in the webinar.



***


The New Yorker announced "Platform Decay" will be the next Murderbot novella. No word on publication date yet.


***


Grimoire: A Grim Oak Press Anthology For Seattle Worldcon 2025

https://grimoakpress.com/products/grimoire-a-grim-oak-press-anthology-for-seattle-worldcon-2025

My story is a fantasy called "Birthright" which is reprint that's not currently available anywhere else.


***


Queen Demon, the sequel to Witch King, second book of the Rising World, is up for preorder and will be released in ebook, audiobook, and hardcover on October 7.

From the breakout SFF superstar author of Murderbot comes the remarkable sequel to the USA Today and Sunday Times bestselling novel, Witch King. A fantasy of epic scope, Queen Demon is a story of power and friendship, of trust and betrayal, and of the families we choose.

Dahin believes he has clues to the location of the Hierarchs' Well, and the Witch King Kai, along with his companions Ziede and Tahren, knowing there's something he isn't telling them, travel with him to the rebuilt university of Ancartre, which may be dangerously close to finding the Well itself.

Can Kai stop the rise of a new Hierarch?

And can he trust his companions to do what's right?


Bookshop.org https://bookshop.org/p/books/queen-demon-martha-wells/21751501?ean=9781250826916

B&N https://www.barnesandnoble.com/w/queen-demon-martha-wells/1146167707?ean=9781250826916

Kobo https://www.kobo.com/us/en/ebook/queen-demon

Audiobook Libro.fm https://libro.fm/audiobooks/9781250291981-queen-demon

Bakka-Phoenix (indie bookstore in Canada): https://bakkaphoenixbooks.com/item/3Czr8TaWU9-_fwJ25ytSCw

Another Murderbot interview

Jun. 16th, 2025 08:42 am
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni


Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”




ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni


Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!

Murderbot Day

Jun. 13th, 2025 12:08 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
* Interview with Sue Chan, the production designer:

https://filmstories.co.uk/news/murderbot-designing-a-future-world-that-doesnt-look-like-alien/

“I started out by taking the most ancient societies on each continent – Etruscans, Asian, European, and African cultures,” Chan tells us. “I looked at the most fundamental motifs and gathered them into a bible, then asked my team to imagine 100 generations from now, when the diaspora of Earth have chosen to live together in society. How would they evolve a unified set of symbols? A language that really honours where they came from.”

This informed the alphabet that can be seen in the decoration painted across the otherwise grey, corporate habitat the PresAux crew are leasing. At the same time, acknowledging how much of the crew is queer and polyamorous, the colours of the rainbow are also entwined into their decorations.

“All of that is mashed up but it has a fundamental logic to it,” says Chan.




* Interview with Akshay Khanna (Ratthi):

https://squaremile.com/style/akshay-khanna-murderbot-actor-interview/

I’m incredibly excited for people to watch Murderbot on Apple TV+. Sci-fi has been my favourite genre by a country mile forever, and being on a show like this has always been a career goal of mine. Frankly, I had too much fun filming that show, and getting paid to do it constantly felt like I was getting away with something on set.

And the show is just so good. I can confidently say it’s fantastic – and if you don’t like it, then I would gently tell you that it’s OK to be wrong sometimes.



* Interview with Sabrina Wu (Pin-Lee):

https://www.autostraddle.com/sabrina-wu-interview-murderbot/

And then once I got the role, I read the books and I was legit just blown away at how funny the books were. I just haven’t seen such a dry sarcastic sensibility with this kind of hero sci-fi stories. And then I also just really liked that it was in the tradition of I felt like Octavia Butler, where it’s like, “oh, this is a queer imagining of the future.” So I don’t know. I just thought it was a really sweet, funny, different world. I also, obviously every comedian who becomes an actor, their dream is to get to work on something with action to move beyond an It’s Always Sunny kind of comedy. I believe there was already an opportunity for me to be in a spaceship and shoot guns, and it just made me happy that it was genuinely funny source material.



* Video interview with Tattiawna Jones (Arada) and Tamara Podemski (Bharadwaj):

https://www.youtube.com/watch?v=NllgfEekw9s



* And a video interview with Noma Dumezweni (Mensah)

https://www.youtube.com/watch?v=_ZpigqUqZXQ



* and a video interview with Noma and David Dastmalchian (Gurathin)

https://www.youtube.com/watch?v=361cKOujISE



* And a video interview (with a transcript) with Alexander Skarsgard, Jack McBrayer, and Paul and Chris Weitz:

https://collider.com/murderbot-alexander-skarsgard-jack-mcbrayer-creators-paul-weitz-chris-weitz/


* And there is a profile of me in The New Yorker (!!)

https://www.newyorker.com/culture/persons-of-interest/do-androids-dream-of-anything-at-all


* ETA: In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni


Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”




*
ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni


Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!

Minneapolis

Jun. 12th, 2025 11:24 am
sartorias: (Default)
[personal profile] sartorias
It's very poignant to be here again. I'm in Minneapolis so rarely that I can still distinguish each visit, but the overall sense is one of extended memory, that is not just of my own, but of anecdotes from my mother and grandmother about their lives here, my grandmother as a (very) young adult, and my mother as a kid.

Not all the memories of mine are good--the week we spent in Bloomington ranged from weird to horrific, the axis we kid spun around was the sound of my mother crying in the bathroom when my bio grandfather started his daily drinking and turned into a monster. We kids at least escaped with his bio kids (our age, his second marriage) but mom couldn't escape--we had the car.

The city that was best to them all (though mom only got to visit, never got to live there) was Red Wing. I adore that place! There's something so peaceful about Red Wing. And extended memory is very complete, as we heard ALL the stories about life on the farm, etc. But it wasn't idyllic--my grandmother and her older sister had to go--that was the conditions my great-grandmother accepted when she remarried in order to save the farm, around 1930, with the Depression really digging in. The man said he could abide the two younger girls but the sixteen year old (my grandmother) and her older sister had to get out and find their way on their own. Which they did, in Minneapolis, waiting tables.

Anyway I'm here for a con. I came a day early, knowing that getting in at one in the morning would leave me a zombie for a day. The weather is perfect--cool and cloudy. I think I'll go out for another walk.

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